People of color, people of diverse circumstance, faiths, backgrounds, health and abilities, gender identity and orientation, are under-represented in our organization because of something our garden was or is—something it once said or did—something it i

How can organizational partners address each other’s needs and amplify each other’s missions, not only within a city, but throughout a region?

As interest in native plants and their habitats grows, what roles do we play as public garden professionals, in nurturing and expanding this interest, and providing sufficient learning opportunities?

Art sparks new dialogues and can simultaneously represent the past, present, and future, fostering connections and understanding across cultures.

Despite the resonant theme of plant biodiversity inherent in the public garden sector, institutions grapple with a staggering lack of human biodiversity in their staffs, member base, donors, and audiences.

In today’s complex world, few organizations can tackle diversity alone.

Capturing the attention of those beyond the “usual suspects” of botanical garden enthusiasts often requires creative leveraging of all available assets. These assets may include emblematic “umbrella” species outside of the plant kingdom.

Native plant, pollinator, and habitat issues are growing more popular among the visiting public each year, but does this translate more broadly into increased nursery sales?

Many gardens collect basic information on their visitors as they walk through the gate, however traditional demographics only scratch the surface when trying to understand our audiences and impact.

A collaborative relationship between Asa Gray Garden at Mount Auburn (an active cemetery), architects, and nearby Arnold Arboretum resulted in a beautiful and inspiring garden featuring trees, shrubs, and perennials that provide color, texture, and year